Most new digital cameras can produce amazing quality images at extreme high ISO. Don’t be scared of pushing your camera body to its limits. Obviously shooting in low light requires you to have a fast lens, this does make a hell of a difference when you are struggling to get the shutter speed. Winter weddings are a perfect place for getting creative and being able to create images which are different. Using a flashgun has its own time & a place. I try and keep the flash away from my hot-shoe as much as possible. Bodies like the D3/D3s makes it all the more easier for me to photograph without a flashgun. First dance is a perfect example when one would struggle without a flash gun, so let me share with you some of my favourite images from last year.

There has been no noise reduction software used for any of these images. Processed through Aperture 2. I don’t think I’ve got a noise reduction software, I probably have it but hasn’t been installed on my Mac!!!

This is one of my faves from last year. It was shot by Farzana (my wife).  Shooting with a fast prime lens made all the difference.
Nikon D3s with a 35mm  f/2.0   1/100sec    10,000 ISO

First dance at Great Fosters, Egham

The below image was shot in very very low light with no flash, just using ambient available light.
Nikon D3s with a 35mm  f/3.2   1/50sec    10,000 ISO

Shooting the 1st Dance without flash really does speed up the shooting. You can feel the atmosphere in the image as it has not been spoiled by an on-camera flash.

Nikon D3s with a 24-70mm  f/2.8   1/50sec    5,000 ISO

Without the spectacular lighting provided by the band, I wouldn’t have been able to create this image. The lights were amazing, one of the best I’ve seen at a wedding. You just need to be a bit careful when shooting with a slow shutter speed. Be careful of camera shake and subject movement. I do shoot hand held around 1/30  quite comfortably and don’t use a tripod. Can’t remember when I did use one.

Nikon D3 with a 50mm 1.4  f/2.0   1/80sec    4,000 ISO

To recap:

- use available light as much as possible
– keep the flash away from the hot-shoe
– don’t be scared to bump up you ISO
– use a fast prime lens

Oz

Related posts:

  1. Creative Lighting with Wireless Flash
  2. Get It Right In-Camera
  3. New 24mm from Nikon
  4. Arctic Adventures with the Nikon D3s